REVIEWS
“ A drummer of creative agitation.”
- Karl Stark, The Philadelphia Inquirer
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“ ...beautifully furious...Cohen plays with abandon, pushing musicians...like Blakey or mentor Tony Williams.”
- Cadence Magazine
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“... Cohen proves an effective director laying down a steady haze of cymbals and propulsive drive.”
- Karl Stark, The Philadelphia Inquirer
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“... Highly interactive and full of that sound of surprise that is at the heart of good jazz.”
- Bill Milkowski, Author of Rockers, Jazzbos & Visionaries
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“... Cohen's "Diggin' In, Digging Out” is a very engaging listen that could end up being one of the major sleepers of the year."
- Chris Hovan, www.allthatjazz.com
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“... You obviously have great abilities and a high conceptual awareness on the drums. Some of the more adventurous stuff I have heard in awhile... your playing sounds excellent."
- Peter Erskine
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“ ...Energetic drum-driven modern jazz.”
- International Association of Jazz Record Collectors
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“ ...cool thrashing in the drums, Cohen has the loose interactive approach of his teacher Tony Williams.”
- Owen Cordle, JazzTimes
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“ ...A trio record that allows for free interaction. Cohen keeps up interesting rhythmic interplay.”
- Sid Gribetz, JazzTimes
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“... a leader and drummer of the highest quality... his approach is fresh, while simultaneously upholding tradition”
- Dave Miele, Jazz Improv
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“ ...The subtle goading shows that he provides throughout, show the imagination he brings to the role of the drummer in a trio."
- Barry McRea, Jazz Journal International
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“ ...I really enjoyed this outstanding CD, "Diggin' In, Digging Out" by Tom Cohen and friends.... great music.
- Michael Brecker
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The Big Take Over
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Drummer Tom Cohen has played nearly every kind of music imaginable as a session musician. But when given his druthers, the Philadelphia sticksman is partial to jazz. My Take features him in an organ trio setting, joined primarily by B-3 master Joey DeFrancesco and either Tim Warfield or Ralph Bowen on saxophone.
The Cohen/DeFrancesco/Warfield trio takes on Vincent Youmans’ standard “Without a Song,” injecting heavy soul into its bluesy shuffle. Switching out Warfield with Bowen leads to the high energy hard bop of Sonny Stitt’s “The Eternal Triangle,” letting the horn wielder burn up the melody. Bowen also lays down some soulful sax on Wayne Shorter’s “Lost,” one of the legend’s least-covered but most harmonious tunes. The DeFrancesco/Warfield pairing lights up opening cut “Minority,” composed by Gigi Gryce, on which Cohen swings so hard he goes past the fences and into the parking lot. Cohen also pairs with two of his Philly compadres, guitarist Steve Giordano and organist Dave Posmonteir, on a seriously groovy version of Benny Golson’s “Along Came Betty.”
One might think this would be a record filled with drum solos, but Cohen keeps those breaks rare, instead concentrating on leading the band by driving the rhythms. Even without his top shelf collaborators, his lively cymbal work and high voltage rolls would make it impossible for any of these performances to lose vigor. It’s also very obvious that everyone on this date is having a great time, making My Take a blast to hear.
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